![]() Minotaur.2015.SPANISH.1080p.WEBRip.x265-VXT[843MB ] |
![]() Minotaur.2015.SPANISH.1080p.WEBRip.AAC2.0.x264-KUCHU[2.21GB ] |
![]() Minotaur.2015.SPANISH.1080p.WEBRip.x264-VXT[1.01GB ] |
![]() 百度懸疑片吧字幕組
|
Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda’s signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda’s recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio’s apartment into a strange "night without distance" in Lois Patiño’s hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
![]() |
两种类型的blend已经驾轻就熟,欲望太重,作减法不易,难有节制 |
![]() |
没看到牛头只觉得怪 |
![]() |
影像的时间与近乎停滞的呼吸感///对着文本的阅读对话就像一种间隔对岸的,有时差的知觉。还有片子里几个人物那种偏瘫的状态,在偏瘫和光班中暂停、迟缓、静止的人们, 就像被盆栽和植被包围的房间。 人们是半显性的。//美,构图很对我胃口:光/光/光。如何拍一个偏瘫的人?她替他刷牙,左刷刷右刷刷,然后缓慢、适宜、双方都耐心地吐一口沫子。继续刷。//给我一些等待的、静止的生活时间的启发。 |
![]() |
催眠片 所有镜头都是固定机位 无逻辑无戏剧冲突 往好了说是回归了电影的初心:用镜头记录生活 最后还是要感谢导演只拍了52分钟 |
![]() |
189躺 |
![]() |
巴特说要一场“无梦的睡眠”,因为睡眠的乌托邦是没有梦境的:“中性的睡眠”脱离了梦境的生产属性(productivity),恢复躯体作为纯粹姿态的展示。显然佩拉达做到了这点,独白的个体和睡眠的个体间仿佛进行着一次跨越时空的对话,缄默、断裂、喃喃自语对应着近乎静滞的倦怠躯体,破碎的言语携着幽灵的时间从交错的时空间隙中升腾,试图勾勒出一幅漂浮在记忆虚空之处的时间织物。马里昂巴德的魂魄好像在机械的独白间逐渐褪去了模糊的阴翳——关于遥远的过去的相遇、凝视,离别伴随着一种“既往症”(巴特语)的书写悄然寄生在那具昏睡的躯体之上,空间似乎逃离了可见运动的支配,但光影反射了衰变的时间,以及那被悬置的记忆与想象。 |
![]() |
imdb 5.5 |
![]() |
闷和重复,是生活的节奏。看来是继承了香特尔的衣钵呢。 |
![]() |
悬吧猪栏 |
声明:看片狂人所有影视资源均由机器人从互联网采集而来,相关链接已注明来源。看片狂人一切电影视频资源仅用于测试和学习交流,一切版权归原创者所有。站长邮箱[email protected]
© 2025 www.kpkuang.one Theme by vfed 3.1.44
2024.8.6
推荐入口:传送门1 / 传送门2 / 传送门3
可用域名:域名1 / 域名2 / 域名3 / 域名4 / 域名5
1:>>地址发布页1<<建议收藏;
2:>>地址发布页2<<建议收藏;
3:>>地址发布页3<<建议收藏;
4:>>地址发布页4<<建议收藏;
5:发邮件给[email protected],会自动回复包含最新地址信息的邮件;
设置安全dns能有效防止域名被屏蔽:Chrome设置教程 Edge设置教程 火狐设置教程